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We started hearing Drink the Sea everywhere - in movie trailers, at spin classes, in amateur edits on Vimeo. The Mob’s music spread like wildfire across my school. And so I fell down my first real musical rabbithole.

Luckily for me, The Glitch Mob were acknowledged in the credits. The most striking thing about the video, though, was the music. (Noticing a trend yet?) I watched the whole thing twice, then showed it to my friends. I stumbled across a parkour video that was on the cusp of going viral. I was in spare one day in tenth grade and YouTubeing around. I still rinsed the same old tracks on the bus.

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Sure, I remember the joys of listening to Empire of the Sun, Passion Pit, MGMT, Mac Miller and such for the first time, but none of it struck me to the point of piracy. 2010 - First signs of independent identityīetween my last years in Singapore and my arrival in Canada, I suffered a bit of a dearth in discovering music. Eminem and JT still live on my phone to this day. I listened to that album all summer of 2007 until I knew most of the songs front-to-back.īy now, I ‘owned’ about two hundred songs running the gamut from punk rock to ‘obscure’ pop to hip-hop in glorious pirated 192kbps. I don’t remember exactly who introduced me to Eminem, but somehow I got turned onto The Eminem Show and the rest is history. ( “Chop Me Up ” is still a certified club banger.) It was a tightly-packaged exploration of RnB, Dirty South and hip-hop in a way I’d never experienced before. I fondly recall listening to Timbaland, Keri Hilson, Akon, 50 Cent and everyone else you and I remember hearing on the radio.īut when Justin Timberlake dropped Futuresex/Lovesounds - that was a game-changer. I still firmly believe the late 2000s was one of the best eras for music. With Ben Mount aka The Verse of Pendulum, circa 2013.

I still rinse The Rising Tied all the time, by the way. Those same tech-savvy friends of mine soon introduced me to Linkin Park, Yellowcard, Porcupine Tree, Coldplay, Snow Patrol, the Arctic Monkeys… Some of which I loved, most of which I was pretty indifferent to. My collection swelled to two dozen songs. I downloaded the rest of Siren Song Of The Counter Culture almost immediately, and developed a burgeoning love for vegan punk music. It took me forever to figure out what the accompanying song was, but after a little Googling I discovered it was a song called Paper Wings by Rise Against. I was on YouTube one day and a friend of mine showed me one of the first-ever parkour videos.

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My more tech-savvy friends showed me how to use file-sharing software - my first brush with illegal downloading - and I’d find myself haphazardly stealing whatever I could find.įor the few months of that iPod’s lifespan, I had about a dozen songs on it. I’d gotten the CD as a gift and was slowly figuring out how to transfer music to my first-ever MP3 player. All I had to sync to it was Fort Minor’s newest (and tragically, only) release, The Rising Tied. When I first got my iPod, I was woefully unqualified to put 30 gigs of storage to use. It follows along chronologically as you read. I’ve curated a playlist for your listening pleasure. But when I got an iPod for Christmas and discovered LimeWire, everything changed pretty much overnight. I rinsed that CD through my Walkman countless times on the bus home from school, and for a while it was the only piece of music I owned. The first CD I ever bought was the 2Fast 2Furious soundtrack, because it had Ludacris’ “Act A Fool” on it. (I’m working on it.) So instead I ended up with a little over a decade’s worth of musical history, dissected into eras of discovery. I tried to narrow down my selections to just ten albums but it’s really hard, and I don’t really do things in half-measures. Which, if you know anything about my relationship with music, shouldn’t be that surprising.

What you’re reading now started out like that, and then turned into this absolute column. Remember that thing people were doing on Facebook a little while ago, where they’d share ten albums over ten days?